The College Fix has announced the launch of its” Restore the Media” video series to combat and inspire young freedom-minded journalists, as well as solve and correct the media’s uneven left-leaning discrimination.
The mini-documentaries serve as an innovative instrument to achieve young people where they’re at and help maintain conservatives don’t lose the crucial media fight to the progressive left. They are motivated by the knowledge that journalism represents the crucial Fourth Estate that holds strong institutions responsible.
Now the first two episodes in the six-part set were released:” The Case for News” and” Is News the Most Intriguing Profession”?
The collection features insight from Tim Carney of the Washington Examiner, Miranda Devine of the New York Post, Brit Hume of Fox News, Mary Margaret Olohan of the Daily Wire, James Rosen of Newsmax, Robby Soave of Reason, Deroy Murdock of National Review, Charles Gasparino of Fox Business, Virginia Allen of the Daily Signal, as well as Tucker Carlson and John Stossel.
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” Being a journalist is fun, exciting, interesting — it brings a new challenge everyday”, said Jennifer Kabbany, editor-in-chief of The College Fix. Hearing that from mythology like Tucker Carlson and Brit Hume is a bit of a shock. I hope these films inspire the next generation of liberty-minded analytical writers”.
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The series explores the value of a free society in the form of an open, valiant, and impartial media. In future weeks, movie topics include the position of the free media, the media’s democratic tendencies, a look at whether goal journalism is feasible, and advice to young journalists.
The line will also include the release of the full discussions with Hume, Carlson, Stossel and people. Through May 1, a new movie will be released each year.
The Student Free Press Association’s media fellowship programme also featured a number of well-known graduates of The College Fix who spoke about their accomplishments and how grateful they were for the program that helped them advance their careers.
The Heritage Foundation Innovation Prize was the primary source of funding for the movie set.
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