On Evil and Art: An Interview With Andrew Klavan

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Holy Week is about to come to an end. We are aware that the season ends with Christ’s resurrection, but those who observe it in the time mourn for the moment when terrible reigns and cheer its apparent victory.

 The common storyline for a Christian film has frequently been this:

1. A community or group is in crisis, typically as a result of a female family member’s behavior, such as a father, a brother, or a stand-alone Lummox.
2. The Lummox’s conduct continues to bother him and those around him.
3. Lummox does seek the guidance of a reliable source. Lummox rejects the lawyers.
4. The Lummox helps bring the issue to a mind.
5. Lummox picks up and reads a Bible in some strange way. Loumox screams. &nbsp,
6. Lummox attends temple. All smiles heartily at Lummox because then the issue has been resolved, and from then on out, life will be muffins and balloons. And most likely everyone will get a cat. &nbsp,

That is not how life works. Powerful Christian people have been sinned by fleshly crimes. I’ve witnessed families who had Sunday church services, regular Bible studies, and youth groups being severely impacted by marriage and death. I am aware of conventional, good-looking families that meth atomized. Outside, there is a Kingdom of Darkness, and we have no choice but to face it at some point in our spiritual path or even our daily lives. We must deal with it in our life as well as in our art. Walking through the shadow and failing to recognize it is a risk of falling victim to it. &nbsp,

It is not uncommon for us to find our own redemption when we are rejected or feeling abandoned by God or wronged by the world. We take over all control and can bring ourselves and everyone around us to ruin. &nbsp,

After the white shark bites off his knee, Ahab never finds peace or even seeks it in” Moby Dick.” His rages on him:

The tiny lower level, the once-discussed, is again a Hark. Man, all obvious things are just as pasteboard masks. However, in each circumstance, some unknown but still valid deed emerges the mouldings of its features from behind the unjustified face in the existing act or the undoubted deed. If a man will strike, do so through a helmet!

Get the white whale agent, or the white whale principal, I may wreak hatred against him, and that is what I hate most. Speak not to me about sacrilege, man, I’d go to the sunlight if it offended me.

Ahab transports the entire crew ( as opposed to Ishmael ) to a murky grave.

Ahab aimed to overthrow God. Adam and Eve believed to have discovered a solution. Cain turned against God because he thought the offer had been made in the simplest terms. Lastly, Nietzsche declared Him to be useless. We place ourselves as angels who lived and ruled according to our own preferences and customs that we make up as we go on, not as deities. Of course, the power to designate ourselves as gods, especially in the wake of tragedy or injustice, has the power to “escalate immediately,” as the proverb goes. It is crucial to comprehend both the effects of bad and their causes. That calls for a thorough and frequently nervous examination of it.

When it depicts existence as it is, not always as we would like it to be, arts, whether it be in a movie, play, image, sculpture, or guide, is at its best. Yet those areas that we prefer to ignore should be reflected in the culture. Additionally, it may provide a roadmap for us, especially in a day and age when a single light does not suffice.

In his most recent book,” The Kingdom of Cain: Finding God in the Literature of Darkness,” Andrew Klavan takes that task ( Zondervan, 272 Pages,$ 29.99 ). Klavan examines three deaths in his guide. The second murder, which Pierre Francois Lacenaire committed, would become the inspiration for Dostoevsky’s” Crime and Punishment,” as well as other films, plays, and works of art. Then, there is an uncomfortable examination of the notorious Ed Gein, whose tale served as the inspiration for” Psycho,”” The Texas Chainsaw Massacre,” and” Halloween.” Lastly, Klavan turns his attention to Cain, the first criminal in history.

If you are so inclined, you can read my initial review here. Below is my talk with Klavan.

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