Maria Bakalova, who plays Ivana Trump in the documentary The Apprentice, is comically claiming her stain of a film “is not a biopic“:
” Well, the field has always been in the text. And I think it’s once, essential for the circle of my heroes. And I make an effort to examine this. This is not a film. I do n’t see this as a biopic, because not every single detail of Trump’s life exists in this movie. And I do n’t want to say this is a Trump movie. I believe this to be a bigger film than simply focusing on one people and telling a different story entirely. And it’s inspired by him, but it’s not a documentary for me”.
” So we used shot items of real people as motivation. Similar with the text in general. The situations in the text are crucial to the narrative we’re telling, in my opinion. We as artists are there to tell the story and create an important cinema work that will walk and make you feel anything. You might criticize it, you might commiserate, but as long as you feel anything, it’s crucial”.
It smells like the fresh details of discussion have been revealed.
Evidently, The Apprentice is being sold as a documentary and is being promoted and sold. It is also a multi- million dollars part of election meddling. What’s more, the film’s director, Ali Abbasi, has explicitly said he would like to see the film hit theaters at the same time His Fraudulency Joe Biden and former President Trump are set to debate in September. Therefore, it is being promoted as more than just a film. It’s being sold as a two- minute plan business to reelect Hunter’s Dad.
The Apprentice is nothing less than a phony donation to the Biden strategy. The movie officially comes to an end with Ivana being violently raped by Trump. But what we have here is a fake film with a phony scene that attempts to portray the current presidential front-runner as a cold-blooded demon who rapes his second wife and the mother of his children.
The late Ivana’s denial of this incident does not matter to the directors.
And you can bet that the filmmakers are unaware that Ashley Biden, Joe Biden’s girl, defends her say that her father had sex with her when she was just a young lady.
And you can imagine that the filmmakers are unaware that Tara Reade defends her plausible claim that Biden sexually assaulted her in 1993.
So why does the film’s star choose not to use the film tag? Perhaps because the Trump plan has threatened to sue over the false murder scene, which they ought to do. This is dressed libel.
” We will be filing a petition to address the clearly bogus arguments from these wish filmmakers”, the Trump campaign’s general official wrote in a speech. ” This bullshit is pure fantasy, which sensationalizes lies that have been much debunked”.
This is vote disturbance by Hollywood leaders, just like the unlawful Biden Trials, because they are aware that President Trump will defeat their selection because everything they have done has worked.
So it now seems as though the fresh talking point is to acknowledge that the film is false, that it is not a documentary, and hope that will put an end to the lawsuit and persuade some illiterate, marxist, anti-democracy distributor to purchase it.
John Nolte’s first and last book,  , Borrowed Time,  , is winning , five- sun raves , from regular users.  , You can read an excerpt , these  , and an in- level review , around.  , Even accessible in , hardcover , and on , Kindle , and , Audiobook.  ,
